John Maddox Roberts is probably my favorite of the Conan pastiche authors, but Conan the Rogue isn’t my favorite of his Conan books. It is a fun book, and the concept of Conan as the greatest rogue of all in a city of rogues is a good one, but it gets bogged down at times in the execution and can feel a little too generic outside of the baroque, film noir-esque plot machinations.
The book opens with Conan having just squandered the last of his loot from his last mercenary gig. Luckily, an effeminate man named Piris hires him to recover stolen property. The job will take him to Sicas, a small city by a silver mine in Aquilonia, and everyone assures Conan he will never find a more wretched hive of scum and villainy. It is Conan’s kind of place.
He arrives in Sicas to find a city torn between multiple warring gangs. The royal governor and the man holding the lease on the silver mine steal every copper they can. The miners are being oppressed. A shady cult is using the sons and daughters of the city’s wealthy to extort them. And multiple other parties are seeking the same scorpion goddess statuette that Conan has been hired to recover.
Conan immediately sets to work stirring the pot to his own advantage, taking jobs and money from a dizzying array of sources within a few days of arriving. There are a lot of facets, lot of interested parties, and Conan is playing one side against the other, in bed with everybody. Da Fino would dig his work. The scorpion goddess statuette has a real Ark of the Covenant, Maltese Falcon sort of vibe.
The film noir inspiration is obvious, I think. Conan the Rogue has that kind of baroque, overly complicated plot in spades. Film has the disadvantage of a limited runtime, making it tough to give complex plots coherence. A novel presents a different challenge. Conan winds up setting up some many different plot threads that the book threatens to bog down in the middle, with individual threads left untouched for long stretches, risking the reader either losing interest or forgetting the necessary particulars.
My other complaint is that the individual elements pulled into the story can feel generic, especially the one wizard character who appears (pastiches have a bad habit of neglecting the REH/sword and sorcery approach to magic in favor of the more generic, boring approach common to 80s/90s fantasy).
Conan has no special ladies here but he does have several lady friends. I have mixed feelings on the women in the story and how Conan interacts with them.
Conan isn’t double-crossing anyone sympathetic, so it is pleasing to see them get their comeuppance. The reader can approach the whole thing with the joy that Conan does. It is a fun ride, especially when things heat up at the end.
3.5 of 5 Stars.
Read my reviews of John Maddox Roberts’ other Conan pastiches.
I guess we agree to disagree. This is by far my favorite of all the pastiches. Borrowing Kaspar Gutman, and Wilmer, and a bloodthirsty Bridget O’Shaugnessy from the Maltese Falcon, and adding in a For a Fistful of Dollars plot will get me every time.
LikeLiked by 1 person
I forgot to insert a reference to A Fistful of Dollars into my review. That inspiration was apparent to me as well.
LikeLike
Actually I think it was referencing Red Harvest by Dashiell Hammett. A Fistfull of Dollars was based on Yojimbo which was based on Red Harvest. Probably. I don’t think Kurosawa ever admitted to being influenced by RH, but they have the same basic plot idea, though RH has more than two criminal factions. So the story has been told in 20s America, late Shogunate Japan, the Old West, and the Hyborian Age.
LikeLiked by 1 person
This sounds like a good excuse to dig up all three.
LikeLike
Yes it is.
LikeLiked by 1 person
JMR flat-out said on the Old REH Forum that ‘Red Harvest’ was part of its DNA.
LikeLiked by 1 person
Sounds like a fun read.
LikeLiked by 1 person
I am thinking of adding some Conan to my reading, as I enjoyed most of what Howard wrote. Would Jordan’s stories be a good place to start, or is there a better place?
LikeLiked by 1 person
Jordan is the better storyteller, but I think JMR “gets” Conan better. It depends on how much you want Conan to hew to REH’s vision. They are by far the two best of the Tor pastiche authors, in my experience, and pretty much any used bookstore should have a stack of Tor pastiches laying around.
LikeLiked by 1 person
Thanks.
I was realizing that my fantasy genre reading has taken a significant hit in the last year and I wanted to get that back. However, the new fantasy is such, umm, crap that that’s just not going to happen. So older stuff it is and pulp feels about the right level for me now. Or it will, when it gets worked into the rotation 😀
I might just try both authors and rotate between them.
LikeLiked by 1 person
Pingback: June 2021 Month-in-Review | Every Day Should Be Tuesday